Fake BP staff and Iraqi protesters greet press at BP-sponsored exhibition

Yesterday morning, a group of performers set up a fake BP “welcoming committee” and Iraqi civilian protest in front of the I am Ashurbanipal: king of the world, king of Assyria exhibition at the British Museum. The performance was timed to coincide with a private exhibition viewing by journalists and VIPs, and the performers stayed for the whole morning talking to journalists, museum visitors and staff.

Twe key BP staff – the Head of Drilling and Spilling and the Head of Oil and Evil – do their best to ignore protesters calling for justice for the people of Iraq. Photo by Kristian Buus.

The performers were from the activist theatre group BP or not BP?, and included a number of people of Iraqi heritage. They are calling for an end to BP sponsorship of British Museum exhibitions, and were standing in solidarity with protests in oil-rich Iraq calling for the provision of basic needs. They claim that the British Museum and BP are whitewashing BP’s complicity in the 2003 coalition invasion, using artefacts from modern-day Iraq.

“There is no ethical curation under BP sponsorship”. Photo by Kristian Buus.
Much oily champagne was consumed in celebration of BP and the British Museum’s partnership. Photo by Kristian Buus.

Many journalists stopped to talk to or interview the performers, as did museum visitors and staff.

The key messages of the performers/protesters are:

Accompanied by two official-looking pop-up signs, the performers posing as BP and British Museum staff gave visitors a startlingly honest introduction to the exhibition, directing them to one of the signs which can be seen below:

One of the official-looking welcome banners. Photo by Kristian Buus.

“Assyria: A message from BP
BP is delighted to be sponsoring objects from ancient Iraq. Like Ashurbanipal, we’re willing to do whatever it takes to keep control of the region’s wealth and resources.
We’re thrilled that we were able to put our interests at the heart of the UK’s 2003 invasion of Iraq. Because, as the UK Foreign Office noted after we lobbied them in 2002, “Iraq is the big oil prospect. BP is desperate to get in there and anxious that political deals should not deny them the opportunity.”
Today, our oilfields in Iraq keep getting more profitable, while Iraqis protest in the streets for basic services.
We believe our empire will last for ever. Or at least until the climate change from our oil-driven business plan reaches truly catastrophic levels. 
Enjoy the exhibition!”

The spoof banner display used BP’s logo and fonts and contained the slogans “BP: Making You History” and “Sponsoring the past, destroying the future”. As part of the performance, a group of protesters challenged the BP characters with chants such as ”British Museum, we’ll keep coming back – no BP logos on your stolen artefacts!’ They were met with extraordinarily honest admissions about BP’s activities in Iraq, its contributions to climate change, and the role played by the British Museum in using Iraqi culture and history to cover up BP’s misdeeds.

A protesters displays the ihe infamous quote from 2002 Foreign Office documents (originally obtained by Freedom of Information request for the book Fuel on the Fire by Greg Muttit). Photo by Kristian Buus.

A spokesperson for the group said: “Both the British Museum and BP should be ashamed of this exhibition, and its sponsorship. BP has played a key role in the war and in environmental destruction in Iraq. This has fuelled the social and economic inequality that Iraqis continue to suffer from and protest against.
“The Museum must end this sponsorship and also address how it has sourced the pieces for this exhibition. We won’t allow Iraqi culture to be exploited especially from those that have contributed to such devastation.”

A “BP rep” waits to chat to journalists arriving for the press launch. Photo by Kristian Buus.

Today’s unsanctioned performance was part of a growing wave of criticism of oil sponsorship of the arts. In just the last month, it was revealed that Shell’s sponsorship of the National Gallery had come to an end, while on October 27th a group of performers from BP or not BP? created a pop-up anti-BP exhibition of their own, without permission, inside the British Museum’s I Object exhibition of objects of dissent. BP provides less than 0.5% of the British Museum’s annual income.

This is BP or not BP?’s 52nd performance protest, and the group’s 33rd performance in the British Museum. BP or not BP? is a member of the Art Not Oil coalition.

The BP reps are finally removed from the museum by triumphant protesters.

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